7300 Caribou, Suite 2 ~ San Antonio, TX 78238

Loudspeaker / Zone Control

DriveRack 260

There is a reason that Tour Sound Professionals and discriminating Audio Contractors choose dbx® DriveRack® products for their high-end tours and installs. The DriveRack products provide the tools that ensure that the system sounds its very best. With the introduction of the new 260, the heritage of unrivaled system/loudspeaker control continues.

The 260 capitalizes on the road tested and contractor approved nature of the other products in the DriveRack line. The 260 provides full bandpass and crossover configurations as well as independent output processing and a full time RTA for live sound applications. Contractors will appreciate its control inputs for wall-panel logic control and the patent-pending Advanced Feedback Suppression (AFS™).

The DriveRack 260 continues the legacy of DriveRack series, which has been created by the company that has been redefining the standard of signal processing for more than 30 years. The DriveRack 260 was designed with the purpose and vision of providing state-of-the-art signal processing, while utilizing a simple and intuitive user interface. This goal has been achieved by offering two independent channels of processing power with a linkable 28-Band Graphic Equalizer, industry-standard dbx stereo compressor module, feedback eliminator and the 120A Subharmonic Synthesizer on the input, with a six channel output system that includes parametric EQs, PeakStopPlus® limiters (to provide protection against speaker blowouts) and alignment delay. These features combined with the Wizard setup system and complete DriveWare™ GUI control represent a methodical design that is guaranteed to deliver optimal, all-inclusive processing in a completely scalable system.

• • Feedback Elimination
• • 2.7 Seconds of Alignment and Zone Delay
• • RS-232 PC GUI control
• • Classic dbx Compression and Limiting
• • Graphic and Parametric EQ
• • Auto-EQ Function
• • Full Bandpass, Crossover, and Routing Configurations
• • Auto Gain Control
• • Pink Noise Generator and fulltime RTA
• • Setup Wizard  speaker and  Amplifier Tunings
• • Security Lockout
• • Wall Panel Control Inputs

 $1,299.95

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DriveRack PA

The DriveRack® PA continues the legacy of DriveRack® series, which has been created by the company that has been redefining the standard of signal processing for more than 30 years. The DriveRack® PA was designed with the purpose and vision of providing state-of-the-art signal processing, while utilizing a simple and intuitive user interface. This goal has been achieved by offering two independent channels of processing power with a linkable 28-Band Graphic equalizer, industry-standard dbx® stereo compressor module, feedback eliminator and the 120A Subharmonic Synthesizer on the input, with a six channel output system that includes parametric EQs, and Peak Plus™ limiters (which are used to provide protection against speaker blowouts) and alignment delay. These features combined with the Wizard setup system, represent a methodical design that is guaranteed to deliver optimal, all-inclusive processing in a completely scalable system.

• • Stereo Feedback Elimination with 12 feedback notch filters
• • Dual 28-band Graphic EQ
• • Classic dbx® Compressor
• • 120A Sub-harmonic Synthesizer
• • 2x3, 2x4, 2x5, 2x6
• • Crossover Configurations
• • Stereo Multi-band
• • Parametric EQ
• • Stereo Output Limiters
• • Alignment Delay
• • Pink Noise Generator
• • Auto-EQ with 28-band RTA
• • Speaker and  Amp Tunings with Setup Wizard
• • 25 User Programs/25 Factory Programs
• • 2 Channel XLR Input and 6 Channel XLR Output
• • Front panel RTA-M XLR input with phantom power
• • 24-Bit ADC/24-Bit DAC, >110 dB Dynamic Range
• • Full Graphic LCD Display

 $749.95

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DriveRack Studio

The dbx Professional Products DriveRack Studio provides all of the tools necessary to optimize Studio Monitor management in a single rack mount chassis design regardless of the environment. The DriveRack Studio offers dual XLR inputs and six XLR outputs, dual channel graphic EQ, classic dbx Compression, multiple crossovers, parametric EQ and a built-in real time audio analyzer. In addition, this audio toolbox provides the end user with 24 custom presets that have been specifically written and designed to work in tandem with the most popular studio reference monitors available. The DriveRack Studio now allows you to fine-tune even the most sonically challenged rooms.

The DriveRack Studio continues the legacy of DriveRack series, which has been created by the company that has been redefining the standard of signal processing for more than 30 years. The DriveRack Studio was designed with the purpose and vision of providing state-of-the-art signal processing in the studio environment, while utilizing a simple and intuitive user interface. This goal has been achieved by offering two independent channels of processing power with a linkable 28-Band Graphic equalizer, industry-standard dbx® stereo compressor module, feedback eliminator and the 120A Subharmonic Synthesizer on the input, with a six channel output system that includes parametric EQs, and Peak Plus™ limiters (which are used to provide protection against speaker blowouts) and alignment delay. These features combined with the Wizard setup system, represent a methodical design that is guaranteed to deliver optimal, all-inclusive processing in a completely scalable system.

• 
  • 24 Custom Factory Programs Optimized for Studio Monitor Management
• • Dual 28-band Graphic EQ
• • Classic dbx® Compressor
• • 120A Sub-harmonic Synthesizer
• • 2x3, 2x4, 2x5, 2x6 Crossover Configurations
• • Stereo Multi-band Parametric EQ
• • Stereo Output Limiters
• • Alignment Delay
• • Pink Noise Generator
• • Auto-EQ with 28-Band RTA
• • 2-Channel XLR Input and 6 Channel XLR Output
• • Front panel RTA-M XLR input with phantom power
• • 24-Bit ADC/24-Bit DAC. >110dB Dynamic Range
• • TYPE IV® Conversion System
• • Full Graphic LCD Display

 $859.95

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DriveRack 220i

Designed from the ground up to provide state-of-the-art signal processing, the DriveRack 220i is the perfect tool for any fixed-install application. With a full complement of processing features and Mic/Line inputs the DriveRack 220i can provide both system and microphone processing. Featuring the new, patent-pending Advanced Feedback Suppression (AFS) algorithm, equalization, dynamics processing, delay, matrix mixing, and bandpass filters, the DriveRack 220i will exceed your expectations.

The DriveRack 220i is piloted from the intuitive DriveWare GUI that offers both Configuration and Control of the processing modules. Modules can be accessed, edited and saved as part of programs. Processing modules can be linked between the channels for true stereo processing. If independent processing is desired, parameters can be copied from one channel to the next to ensure that setup is quick and easy. Stored programs can be loaded from either the front panel or from wall mounted Zone Controllers. Zone Controllers can also be used for output muting or adjusting output volumes.

• • Advanced Feedback Suppression (AFS)
• • Graphic and Parametric EQ
• • Compressor
• Limiter
• • Auto Gain Control
• • Noise Gating
• • De-Esser
• • Ducker
• • Bandpass Filters
• • 2x2 Matrix Mixer
• • 1.3 Seconds of Delay
• • RS-232 PC GUI control
• • Mic/Line Inputs
• • Wall Panel Control
• • Security Lockout

 $849.95

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ZonePro 640

ZonePro 641

With 6 inputs and 4 outputs the dbx ZonePro™ 640 and 641 provide flexible signal routing, powerful DSP processing and multiple control interfaces for Commercial Audio applications.
Designed to offer superior system sonic performance and flexibility, the 640/641 deliver the highest quality tools available. Even the input and outputs connectors were chosen for their standard usage and reliability. The ZonePro products offer Euroblock connectors for balanced signals and RCA connectors for interfacing with consumer equipment often used in commercial applications; there is also a simple analog input buss that allows inputs to be sent from one unit to the next for unit and job scalability. The 640 and 641 provide every necessary processing tool, from the input processing like gain control and EQ available on all inputs to highly sophisticated and specific functions such as selectable paging microphone processing including Gating, De-Essing, Auto Gain Control, Compression and Feedback Suppression. The heart of the ZonePro products is the Routing module that provides of course Primary Source Selection but also Source Ducking for Paging and Priority Override. The outputs also offer a wealth of processing designed for commercial applications like our patent-pending AutoWarmth® function that was co-developed with JBL to provide natural low frequency extension at any signal level. Each output also offers EQ, Bandpass and Crossover filters, Limiting and Delay for system optimization. With the ZonePro™ every tool is at your disposal to maximize the response of your system.

Beyond processing, the ZonePro™ products offer multiple forms of control to further extend the versatility of your system. From easy-to-use wall panel Zone Controllers for standard end-user functions like source select and volume control to advanced system control including a built-in Real Time Clock that can provide programmable system changes throughout the day or week. For system setup and monitoring the ZonePro Designer software provides an intuitive interface and a speedy setup Wizard for configuring and editing all system parameters.

The ZonePro™ 640 and 641 will take your Commercial Audio system to the next level with advanced processing, versatility and control.

• Features:
  • Advanced Feedback Suppression (AFS™)
• • Autowarmth®

• • Auto Gain Control

• • Compression

• • Limiting

• • Noise Gating

• • Notch Filtering

• • Bandpass and Crossover Filters

• • Parametric EQ

• • Security Lockout

• • Wall Panel Control

• • RS-232 Control

• • Windows® 2000 and XP GUI

• • IEC, UL and CSA Approvals

 $1,299.95

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 $1,099.95

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ZonePro 1260

ZonePro 1261

With 12 inputs and 6 outputs and Ethernet control the dbx ZonePro™ 1260 and 1261 are the newest members of the ZonePro™ family providing a complete suite of signal processing and control for Commercial Audio applications.

Designed to offer superior system sonic performance and flexibility, the 1260/1261 deliver the highest quality tools available. Even the input and outputs connectors were chosen for their standard usage and reliability. The ZonePro products offer Euroblock connectors for balanced signals and RCA connectors for interfacing with consumer equipment often used in commercial applications; there is also a simple analog input buss that allows inputs to be sent from one unit to the next for unit and job scalability. The 1260 and 1261 provide every necessary processing tool, from the input processing like gain control and EQ available on all inputs to highly sophisticated and specific functions such as selectable paging microphone processing including Gating, De-Essing, Auto Gain Control, Compression and Feedback Suppression. The heart of the ZonePro products is the Routing module that provides of course Primary Source Selection but also Source Ducking for Paging and Priority Override. The outputs also offer a wealth of processing designed for commercial applications like our patent-pending AutoWarmth® function that was co-developed with JBL to provide natural low frequency extension at any signal level. Each output also offers EQ, Bandpass and Crossover filters, Limiting and Delay for system optimization. With the ZonePro™ every tool is at your disposal to maximize the response of your system.

Beyond processing, the ZonePro™ products offer multiple forms of control to further extend the versatility of your system. From easy-to-use wall panel Zone Controllers for standard end-user functions like source select and volume control to advanced system control including a built-in Real Time Clock that can provide programmable system changes throughout the day or week. For system setup and monitoring the ZonePro Designer software provides an intuitive interface and a speedy setup Wizard for configuring and editing all system parameters. The addition of Ethernet control means that not only will it work with standard network equipment, but it can also be accessed from remote dialup locations or from wireless access points.

The ZonePro™ 1260 and 1261 will take your Commercial Audio system to the next level with advanced processing, versatility and control.

• • Advanced Feedback Suppression (AFS™)

• • Autowarmth®

• • Auto Gain Control

• • Compression

• • Limiting

• • Noise Gating

• • Notch Filtering

• • Bandpass and Crossover Filters

• • Parametric EQ

• • Security Lockout

• • Wall Panel Control

• • RS-232 Control

• • IEC, UL and CSA Approvals

 $1,799.95

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 $1,599.95

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AFS 224

The AFS 224 Advanced Feedback Suppression processor was designed to provide state-of-the art feedback elimination processing, while maintaining a simple and intuitive control interface. From the powerful DSP module to the no-nonsense user interface, the AFS 224 provides all the processing and control necessary for both installation and live use. The AFS 224 is an absolute must for any live sound application.

Ten and twelve filter feedback elimination processors have become the de facto standard, but the engineering staff at dbx have never been quite content residing in the neighborhood of the status quo. So, to raise the bar once again, they went out and developed a dedicated feedback suppression processor that offers up to 24 filters per channel with filter Qs up to 1/80 of an octave. To achieve these staggering numbers dbx utilized their patent-pending AFS technology that had previously only been available in the upper echelon line of products and made it available in this stand-alone processor, which takes all of the guesswork out of feedback removal. In addition to the plethora of feedback suppression filters available, the AFS 224 also offers selectable modes, live filter lift, and types of filtration, which are all readily available via the intuitive user interface front panel.

• dbx's Patent-pending (Advanced Feedback Suppression) AFS™ technology

• 24 Programmable Filters per Channel

• Stereo or Dual Independent Channel Processing

• Live and Fixed Filter Modes

• Selectable Filter Lift Times

• Application-specific filter types include: Speech and Music Low, Med and High

• Input channel Metering

• 24 LED per Channel Filter Metering

• XLR and TRS Inputs and Outputs

 $449.95

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RTA-M

The DBX DriveRack Measurement Microphone (RTA-M) is an electret condenser microphone for use with the Real Time Analyzer function of the DBX DriveRack Control Processors. It runs on 15 volts of phantom power and produces a flat response from its omnidirectional pattern. Perfectly suited for live sound or contract installs.

For use with DriveRack 260, DriveRack PA or DriveRack Studio.

• • Polar Pattern : omni-directional
• • Element : back electret-Condenser
• • Frequency : 20 Hz - 20 kHz
• • Impedance : 250 30% (at 1,000Hz)
• • Sensitivity : -63 dB 3 dB ( 0 dB=1V/ microbar 1,000 * Hz indicated by open circuit )
• • Operating Voltage : phantom power 15V D.C.

 $149.95

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Compressors and Noise Gate

266XL Dual Compressor Gate

Most compressor/gates provide less than musical compression, coupled with gating that swallows transients—or closes early, cutting off decay and reverb tails. The superb engineering in the 266XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts.

When using the 266XL’s AutoDynamic™ Attack and Release controls, artists and engineers will find that the center settings deliver classic dbx compression, while the full control range produces voicings that extend from slow “leveling” to aggressive “peak” limiting.

The Auto Dynamic™ circuitry continuously adjusts the actual attack and release times to optimally match the program material. Since users aren’t restricted to using the Attack and Release controls only in “peak” operation, they can tailor the response of the 266XL for individual tracks, mixed program material, special effects or system protection. As a result, production studios can use the versatile 266XL to replace multiple “single-purpose” limiters while sound reinforcement users can standardize on the 266XL for all of their applications.

The 266XL’s advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics—even with complex signals, such as voice or reverb decays. dbx engineers went on to take advantage of the wide dynamic range and high precision of the dbx® VCA to design in an extra-wide threshold range and ensure top gating performance for each application.

Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup, while the 266XL’s intuitive operation lets users easily smooth uneven levels, add sustain to guitars, squash drums or tighten up mixes. In Stereo couple mode, the Channel 1 controls become Master controls, and Channel 2 follows precisely to ensure a rock solid stereo image—even with high amounts of compression. Professionals and newcomers will find that the 266XL sets up rapidly and musically the first time it is used, and every time thereafter.
 

The dbx® 266XL processor is the result of an intensive engineering and product development effort aimed at taking advantage of the latest and best advances in manufacturing technology to deliver true dbx audio performance and reliability to our customers at the lowest possible cost. The 266XL puts a completely new level of compressor/gate performance within everyone’s reach.

• • Goof proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes

• • New gate timing algorithms ensure the smoothest release characteristics

• • Program-adaptive expander/gates

• • Great sounding dunamics control for any type of program material

• • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup

• • Stereo or dual-mode operation

• • Balanced inputs and outputs on 1/4" TRS and XLR

• • Side Chain insert

• • Classic dbx® "Auto" mode

 $229.95

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166XL Dual Compressor Limiter Gate

Most compressor/gates provide less than musical compression, coupled with gating that swallows transients—or closes early, cutting off decay and reverb tails. The superb engineering in the 166XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts.

When using the 166XL’s Attack and Release controls, artists and engineers will find that the center settings deliver classic dbx compression, while the full control range produces voicings that extend from slow “leveling” to aggressive “peak” limiting.
The 166XL’s advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics—even with complex signals, such as voice or reverb decays. dbx engineers went on to take advantage of the wide dynamic range and high precision of the dbx V2™ VCA to design in an extra-wide threshold range and ensure top gating performance for each application.

Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup, while the 166XL’s intuitive operation lets users easily smooth uneven levels, add sustain to guitars, squash drums or tighten up mixes. In Stereo couple mode, the Channel 1 controls become Master controls, and Channel 2 follows precisely to ensure a rock solid stereo image—even with high amounts of compression, through True RMS Power Summing™. Professionals and newcomers alike will find that the 166XL sets up rapidly and musically the first time it is used, especially with the Auto attack and release function. Advanced applications are now easy, with the 166XL’s full sidechain functionality, and the ability to use either hard knee or OverEasy® compression algorithms. Add to this already impressive list of features the venerable PeakStop™ limiter, and you’ve got a strong finisher, every time.

The dbx 166XL processor is the result of an intensive engineering and product development effort aimed at taking advantage of the latest and best advances in manufacturing technology to deliver true dbx audio performance and reliability to our customers at the lowest possible cost. The 166XL puts a completely new level of compressor/gate performance within everyone’s reach.

• • Goof proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes

• • New gate timing algorithms ensure the smoothest release characteristics

• • Program-adaptive expander/gates

• • Great sounding dynamics control for any type of program material

• • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup

• • Stereo or dual-mode operation

• • Balanced inputs and outputs on 1/4" TRS and XLR

• • Side Chain insert

• • Classic dbx® "Auto" mode

 $359.95

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160A  Compressor / Limiter

Since its introduction in the mid 1970's, the dbx 160 series has been the world's most popular line of audio compressors. After the classic 160 (which is still used daily in many world class studios), came the 165, the 160X and the 160XT. The 160X/XT were the models that truly became the industry standard. Solid construction, fool proof operation, great sound, at-a-glance metering and a bulletproof output stage all contributed to its popularity with musicians, recording studios, consultants and installers, and broadcast media production people alike.

The dbx® 160A is a legendary dbx® 160 family of compressor/limiters. The same classic sound, easy set-up and no compromise metering is now married to an improved signal path and stronger chassis design. The result is industry standard compressor/limiter which is digital-ready and road tough.

Featuring switch-selectable OverEasy® and Hard Knee compression curves along with extremely wide-ranging threshold, ratio and output controls, the dbx 160A is up to any task. True RMS level detection provides the most natural-sounding dynamics processing available, from subtle compression to "brick wall" peak limiting. Choose low ratios and OverEasy® compression to transparently smooth out fluctuating vocal and instrumental levels. Or use the 160A's Hard Knee compression and high ratios (up to and beyond :1 and over 60dB gain reduction) for bombproof protection against overload distortion in digital recording, P.A. systems and broadcast signals. The 160A is fully compatible with +4/-10dB and balanced/ unbalanced systems, and its electronically balanced output stage is an outstanding line driver for long cable runs (an output transformer is optional). The 19-segment, switchable input/ output LED metering can be easily calibrated to any operating level. 12-segment gain reduction LEDs provide precise analysis at a glance.

The dbx® 160A's unique "INFINITY +" inverse-compression mode actually decreases the audio output level below unity gain when the input exceeds threshold, a real lifesaver for correcting overbearing vocal choruses and controlling runaway house mix levels. A detector input can be used with an equalizer for de-essing sibilant vocals and selectively smoothing out boomy notes on acoustic guitar and bass. And two 160As can be stereo-coupled to process an entire mix or instruments mic'd in stereo, without shifting the left/right image. Its musical sound, easy operation and unequaled versatility made the original dbx® 160 a world standard. The 160A follows that tradition, while meeting the challenges of a digital world.

• • OverEasy® or classic hard knee compression with dbx's® ultra-musical program dependent attack and release times

• • Compression ratio variable from 1:1 through infinity :1 to negative compression

• • Precision dual RMS LED display monitors input or putput and gain reduction over a wide range and calibrates for different operating levels

• • Over 60dB of gain reduction available

• • Exclusive Infinity+ compression allows negative compression

• • Independent balanced and unbalanced outputs can drive 600 loads to +24dBm simultaneously. New floating balanced output stage drives any load

• • Optional output transformer capable

• • Strappable with another 160A for true RMS stereo summing operation

 $599.95

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1066 Dual Compressor Limiter Gate

After producing the world's most renown series of compressors, the task of producing a new compressor worthy of our reputation would be daunting for most engineers. Not for dbx®. Our engineers know audio like no one else in the world. Now the fruits of their talents are available to you in the form of the 1066 Stereo Compressor/Limiter/Gate.

Want to instantly add that classic dbx response to your mix? It's there at the touch of the "Auto" button. Or use the independent Attack and Release controls to tailor the 1066 to your specific needs. Unwanted frequencies or mic bleed in the signal path? Frequency dependent gain control is a snap to set up and execute with our Side Chain External button (SC Ext). Use the Side Chain Monitor button (SC Mon) and your favorite EQ to dial in the specific frequencies you want to trigger the device. As has become our standard, the contour switch allows entire mixes to be easily smoothed with soft compression while keeping low frequencies from punching holes in the overall mix. Selectable input and output metering allow you to make sure that everything is matched up level-wise, maximizing your signal-to-noise ratio.

For overall speaker protection, our new PeakStopPlus™ does all previous circuits one better. With a new design, the PeakStopPlus represses those unwanted transients from blowing your drivers while minimizing the distortion common to many other "hard" limiters. Selectable Hard-Knee or OverEasy® characteristics make the 1066 ideal for your gain control needs, whether you're looking for "heavy" almost-special-effects compression or soft, smooth gain leveling. New lightpipe technology replaces standard LED's found on most other units, making the 1066 both very easy to read and much easier to operate.

In the studio, broadcast facility or on the road with a P.A. system, the 1066 is designed for perfectly simple operation. The 1066 allows you to eliminate unwanted signals, flexibly control overall signal gain and guard your overall mix in dual mono or stereo operation.

At the heart of the 1066 is our new dbx V2 VCA. Developed especially for the 1066, 1046 and other 10 series products to come, this revolutionary VCA boasts superb dynamic range characteristics while maintaining very low distortion and almost immeasurable noise characteristics. The bottom line is this: a new VCA working in conjunction with world class design makes the dbx 1066 perform better than compressors selling for hundreds more.

State-of-the-technology VCA's, meticulous component selection, and scrupulous testing procedures are just a few more reasons that the new dbx 1066 is the latest in a long line of pedigreed dbx signal processors.

• • Selectable auto (classic dbx®) or manual (variable Attack and Release) compression

• • Contour switch removes unwanted low frequency information from detector circuit

• • Selectable Overeasy® or Hard Knee compression modes

• • PeakStopPlus™ limiting for setting maximum allowable level with minimal distortion

• • SC Ext and SC Mon for setting up and monitoring external devices for gating function

• • True differentially balanced gold-plated XLR and 1/4" inputs and outputs

• • True RMS level detection

• • Precision metering of input level, output level, and gain reduction

• • True stereo or dual mono operation

• • Switchable +4dBu or -10dBV operation per channel

 $599.95

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1046 Quad Compressor Limiter

• In today's recording and sound reinforcement environments, the need for multiple channels of high quality, easy to use compression is growing rapidly. The new dbx® 1046 is designed to provide the audio professional with just that: 4 channels of great sounding dbx compression for a variety of applications. Incorporating the industry standard dbx designs and the latest available manufacturing techniques, the dbx 1046 provides pristine sonic quality with that classic dbx sound.
  
  The 1046 provides 4 channels of smooth classic dbx OverEasy® or Hard Knee compression that are perfectly suited for use on individual tracks of your multitrack recorder, and in virtually all applications the separate channels can be individually interfaced and used for entirely independent purposes. Additionally the newly developed PeakStopPlus™ is ideal for protecting your system from the oppressive peaks that can take out valuable drivers in your sound reinforcement rig or studio monitors.
  
  All four channels have the following controls:
  
  Threshold - allows you to set the level at which the compressor starts affecting the gain
  
  OverEasy - allows you to select between soft compression for overall gain control or Hard Knee compression based on the characteristics of the
  original dbx 160.
  
  Ratio - allows you to set the slope of gain reduction affecting the signal over the threshold level.
  
  Input/Output Meter - allows you to set the meter to check the input and output levels for maximum signal-to-noise ratio and best level matching.
  
  Output Gain - allows you to add make-up gain or to adjust the output level for that channel to match the next device's input gain.
  
  Bypass - hard wire bypass allows you to hear how the compressor is affecting your signal.
  
  PeakStopPlus - allows you to set the maximum signal level you want to pass through this channel. While it's virtually impossible to eliminate distortion, the PeakStopPlus circuit does it gracefully and effectively with minimal distortion.
  
  Stereo Link - allows you to link channels 1&2 and 3&4 for two channels of true stereo compression.
  
  All four channels feature balanced gold plated XLR and 1/4" inputs and outputs, and switchable +4dBu or -10dBV operating level to interface each individual channel with any other device.
  
  So whether you need to control the level, placement in the mix, or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs, the dbx 1046 is for you.

• • Four independent channels of operation, stereo linkable in two pairs

• • PeakStopPlus™ limiting control for setting maximum allowable level regardless of compressor settings

• • Independent Threshold and Release controls

• • Switchable OverEasy® or Hard Knee compression

• • Classic dbx® compression

• • Differentially balanced gold-plated XLR and 1/4" inputs and outputs.

• • True RMS level detection

• • Precision metering of input level, output level, and gain reduction

• • Dual True stereo or quad mono operation

• • Switchable +4dBu or -10dBV operation per channel

 $749.95

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1074 Quad Noise Gate

The latest addition to the 10 Series product line, the dbx® 1074 QuadGate™ , is the perfect companion to the 1066 and 1046. The 1074 offers 4 channels of gating with threshold, depth and release controls on each channel. The 1074, like the rest of the products in dbx 10 Series, is based on the legendary dbx V2 VCA and offers XLR inputs and outputs, and 1/4” side-chain input. In addition to an external key input per channel, the 1074 also has an internal filter that can be independently activated and controlled on a channel-per-channel basis. This filter allows the 1074 to not only clean up tracks, but gives you frequency selective control on each gate, to open exactly when you want it to. These features combined, make the 1074 an absolute must for those who require quad gating on applications including: Gating dry and percussive sounds such as snare drum and kick drum,gating sounds that have longer decay times such as cymbals and Pianos, gating hum or buzz from live instruments or recorded tracks or eliminating Headphone leakage into microphones. Gating instrument microphones to eliminate amplifier bleed. PeakStopPlus™ - allows you to set the maximum signal level you want to pass through this channel. While it's virtually impossible to eliminate distortion, the PeakStopPlus circuit does it gracefully and effectively with minimal distortion.

Stereo Link - allows you to link channels 1&2 and 3&4 for two channels of true stereo compression.

All four channels feature balanced gold plated XLR and 1/4" inputs and outputs, and switchable +4dBu or -10dBV operating level to interface each individual channel with any other device.

So whether you need to control the level, placement in the mix, or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs, the dbx 1046 is for you. From the company that has been redefining the standard of signal processing for more than 30 years, dbx Professional Products now offers a bulletproof product that caters to the scrutinizing needs of those who require the precision noise gating capabilities. Once again, the engineering staff at dbx Professional Products has taken technology that has been over three decades in the making and created a product that is flexible, versatile and rock solid in construction and design. The 1074’s independent channel design with key filtering capabilities make it the perfect tool for countless applications.

• • Four independent channels of gating

• • Independent key filtering

• • Independent Threshold and Release controls

• • Differentially balanced gold-plated XLR and 1/4" inputs and outputs

• • True RMS level detection

• • dbx® proprietary precision metering

• • Stereo Coupling mode

• • Switchable +4dBu or -10dBv operation per channel

• • Proudly designed, manufactured and tested in the USA

 $749.95

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223 Stereo 2-way, Mono 3-way Crossover

223XL Stereo 2-way, Mono 3-way Crossover

Let's take a look at the construction features of the dbx® 223. At first glance, you'll notice the units are great looking. As you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won't find the external power supply that accompanies most processors in this price range. That's because we know how difficult external power supplies can be to work with and even though it costs a little more we put the high quality power supply right in the unit. All the inputs and outputs are TRS differentially balanced 1/4" jacks that are bolted down to the chassis. This "nutting down" of the jacks insures that even if someone stomps on a cable plugged into the unit, it's not going to tear up the circuit board inside. All dbx crossovers all feature Linkwitz-Riley 24dB per octave filters, the professional standard. But then again, what did you expect?

Via a switch on the back panel, you first select whether you're operating your system in stereo 2-way or mono 3-way. Then you also set, on the back panel, whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low frequencies are non-directional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have a green LED that indicates when the x10 switch on the back panel is activated (we wouldn't make you check the switch position on the back every time you wonder where it's set). All these switches are on the back panel because it could be disastrous if you were to change them mid-program. On the front panel you'll notice there are LEDs that indicate whether the unit is in mono or stereo mode. Each channel has an input gain control for proper level setting. There's a recessed 40 Hz low cut (HPF) on each channel to remove unwanted low frequencies. Both the low and high outputs on each channel have a gain control ranging from - to +6 dB to allow muting of individual outputs and for level matching. Also, these outputs each have phase reverse switches that will help get you out of a bind without having to reconfigure your system. These phase reverse switches may be internally reconfigured as mute switches.

• • TRS differentially balanced ins and outs

• • Mode switch for stereo 2-way or mono 3-way operation

• • Low frequency summed (subwoofer) output

• • x10 range switch on both channels

• • 40Hz high pass (low cut) filter both channels

• • Phase reverse switch on all outputs

• • Individual level controls on all outputs

• • 24dB per octave Linkwitz-Riley filters (the professional standard)

• • Stereo/Mono status LEDs indicate the selected mode

• • dbx® 2 year parts and labor as standard

• • CSA NRTL/C approved

• • CE compliant

•  

The 223XL is the XLR version with the same features as the 223.

 $206.95

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 $242.95

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234 Stereo 2/3-way, Mono 4-way Crossover

234XL Stereo 2/3-way, Mono 4-way Crossover

Let's take a look at the construction features of the dbx® 234. At first glance you'll notice the units are great looking, and as you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won't find the external power supply that accompanies most processors in this price range. That's because we know how difficult external powersupplies can be to work with and even though it costs a little more we put the high quality power supply right in the unit. All the inputs and outputs are TRS differentially balanced 1/4" jacks that are bolted down to the chassis. This "nutting down" of the jacks insures that even if someone steps on a cable plugged into the unit, it's not going to tear up the circuit board inside. All dbx® crossovers feature Linkwitz-Riley 24 dB per octave filters, the professional standard, but then again, what did you expect?

• • TRS differentially balanced ins and outs

• • Mode switches for mono 4-way or stereo 2-way/3-way operation

• • Low frequency summed (subwoofer) output

• • x10 range switch on both channels

• • 40Hz high pass (low cut) filter both channels

• • Phase reverse switch on all outputs

• • Individual level controls on all band outputs

• • 24dB per octave Linkwitz-Riley filters (the professional standard)

• • Stereo/Mono status LEDs indicate the selected mode

• • dbx® 2 year parts and labor as standard

• • CSA NRTL/C approved

• • CE compliant

The 234XL is the XLR version with the same features as the 234.

 $269.95

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 $314.95

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Microphone PreAmp & Vocal Processors

286A Microphone Processor

The dbx® 286A's Mic Preamp and Five processors can be used independently or in any combination. Why mic up vocals and instruments through a noisy, blurry mixer? The dbx 286A's sonically pristine Mic Preamp has all the features you need, including wide-ranging input gain control, switchable 48V phantom power and an 80Hz high-pass filter. Use the 286A's newly designed and patented OverEasy® Compressor to transparently smooth out uneven acoustic tracks or deliver that classic "in your face" rock vocal. Take out vocal sibilance and high frequency distortion in cymbals with the 286A's frequency tunable De-Esser. Fine-tune the Enhancer's HF Detail control to add sparkle and crispness to tracks. LF Detail control adds fullness and depth to vocals and bass instruments while simultaneously cleaning up muddy low midrange frequencies. And, the Expander/Gate's separate threshold and ratio controls allow you to subtly reduce headphone leakage or radically gate noisy guitar amps.

The dbx® 286A's full complement of metering and status LEDs visually guide you to achieving the right sound. The floating balanced XLR mic input accepts balanced or unbalanced inputs. An additional 14" TRS phone jack can accept balanced/ unbalanced line signals to process live electronic instruments or pre-recorded tracks at mixdown. An insert jack between the 286A's Mic Preamp and signal processing sections can be used to "loop out" to external processors (such as EQ) or to mix the Mic Preamp's signal out to an external destination.

The cost and hassle of patching together multiple processors for use on one track can be frustrating. The dbx® 286A gives you all the tools you'll need in one box, with the shortest signal path to help keep your music sounding clean.

• • New dbx® standard internal power supply

• • Frequency control for De-Esser

• • Expanded meter to show heavy De-Essing

• • Above/Below threshold indicator for gate

• • +48VDC Phantom Power

• • Precision detented controls

 $299.95

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ProVocal Digital Vocal Processor

Think of it as the being the best sound man you’ve ever had. The ProVocal™ from dbx® Professional Products offers unmatched versatility for the project studio enthusiast at an unparalleled value. The new ProVocal has taken all of the laborious guesswork out of selecting tools for providing great vocal tracking. The ProVocal is an all-inclusive toolbox which is perfect for applications including live, studio and karaoke. The ProVocal features a superb microphone preamp coupled with state-of-the-art microphone and mic-pre amp modeling for a wide variety of sonic characteristics. From there you go into classic dbx dynamic processing such as gating, compression, de-esser, and limiter, then on to chorus, flanger, delay and reverb. Other features include a 24-bit S/PDIF output with selectable 44.1 or 48k sample rate and MIDI control.

Once again, the company that has been revolutionizing the audio world for more than 30 years, is proud to offer a product that has taken the best vocal audio processing power tools available, and combined them under the hood of a single chassis. The design team at dbx Professional Products have painstakingly put together a processor that painlessly helps vocalists create warm and rich vocal tones in the digital domain with crystal clear digital effects, while providing dynamics processing powers that can all be controlled via, the smart, sophisticated front panel. The ProVocal takes models of some the most sought after microphones and mic-preamps in the industry, and makes them readily available at your finger tips. The output versatility of the ProVocal offers XLR and 1/4” analog inputs and outputs and S/PDIF digital outputs, making it a truly flexible work horse for any vocal application.
 

• • Digital Preamplifier Modeling

• • Digital Microphone Modeling

• • Classic dbx® Compression

• • De-Esser, Gate

• • Chorus/Flanger, Delay and Reverb Effects

• • MIDI Control

• • 24-bit S/PDIF Digital Output

• • 44.1 or 48kHz Operation

• • Selectable Mic/Line Switch

• • 20dB pad, 48 volt Phantom Power

• • Front Panel Instrument Input

• • Balanced 1/4" or XLR Outputs

 $449.95

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Mini-Pre

dbx Professional Products® has been redefining the standard of Professional Signal Processing for 30 years. From the 386 Tube Microphone Preamp to the 586 Dual Channel Tube Microphone Preamp, dbx® has been the Professional’s choice when it comes to the classic sound of tube microphone preamps.

In this same tradition, dbx® offers the Mini-Pre Vacuum Tube Microphone Preamp. The Mini-Pre takes the classic dbx® Tube Microphone Preamp sound and puts it in an easy to use, compact, affordable package. With the new dbx Mini-Pre Vacuum Tube Microphone Preamp you will no longer need to compromise tone for affordability.

Classic dbx® Tube Microphone Preamp tone, portability and affordability are the hallmarks of this new microphone preamp from dbx. From its uncompromising crystal-clear, high-bandwidth, low-noise circuitry, to its road-worthy construction, the Mini-Pre offers a feature set that includes: a hand- selected, Soviet-made premium 12AX7 vacuum tube to add warmth and tone to any microphone signal, selectable 48 volt phantom power, 20 dB Pad and Phase reverse switch, the new Vacuum Tube Mini-Pre has the features that you would expect, at a price that would have been unthinkable just a few years ago.

• • Single channel tube microphone preamp

• • Hand-selected, Soviet-made, premium 12AX7 vacuum tube

• • 60dB gain and -infinity to +10dB of output level

• • XLR microphone input

• • 1/4" TS line input

• • Balanced 1/4" TRS and XLR outputs

• • Selectable +48 volt Phantom Power

• • 20dB Pad

• • Phase reverse switch

• • Peak LED

 $149.95

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376 Tube Channel Strip

IT’S TIME TO CHANGE THE CHANNEL! The standard of excellence for channel strip processors has just been raised once again. From the world leader in digital signal processing comes the new 376 Tube Channel Processor with digital output capabilities. dbx® Professional Products has been paving the way for audio excellence for more than 25 years, and with the creation of the 376, the drive continues. The 376 has taken the essential tools needed for channel strip processors and has greatly added to the feature list, making it an all inclusive toolbox that offers all of the effects required. With an effect menu list that includes such standard features as: a tube preamp section, 3-Band parametric EQ section, Compressor, De-Esser and digital outputs, the 376 is the perfect companion piece for recording and tracking vocals and mic’d applications in the analog and digital domain.

The 376 Tube Channel Strip w/Digital Output is the latest addition to the Silver Series family. The 376 puts the best of both worlds into one affordable package by combining the warmth of the vacuum tube, with the proprietary dbx Type IV® conversion system. The 376 boasts many of the same features as other products in the Silver Series, such as +48V phantom power, a phase invert switch, and low cut filtering. In addition, the 376 also offers digital output capabilities in both AES/EBU, and S/PDIF formats as standard features. The high impedance, 1/4" instrument input located on the front panel, as well as the mic/line switch, and 20 dB pad show our dedication to providing convenience in the studio. The LED meters provide a clear and concise visual of the signal processing at a glance. The rear panel includes both mic and line inputs and outputs, word clock sync input and output, insertion jack and digital outputs. Add selectable sampling rates of 44.1 kHz, 48 kHz, 88.2 kHz, or 96 kHz; selectable dithering and noise shaping; and separate analog and digital output controls to this already impressive list of features, and we think you’ll agree that the 376 lives up to the uncompromising standards of dbx Professional Products.
 

• • Tube microphone pre-amp

• • 200V tube plate voltage

• • Selectable mic/line switch

• • +48 Volt phantom power

• • 3-Band Parametric EQ

• • Compressor

• • De-Esser

• • Front panel instrument input

• • Drive meter LEDs

• • Threshold and De-Esser meters

• • 8 segment analog or digital meter

• • Type IV® conversion system

• • Selectable sampling rate (96, 88.2, 48, 44.1kHz)

• • 24, 20 and 16 bit wordlengths

• • AES/EBU and S/PDIF digital outputs

• • Selectable dither and noise-shaping algorithms

• • Word clock sync input and output

 $599.95

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386 Tube Mic PreAmp

The Silver Series 386 dual channel tube mic preamp puts the best of both worlds into one affordable package by combining the warmth of the irreplaceable vacuum tube with the proprietary dbx® Type IV™ conversion system. The 386 boasts many of the same features as other products in the Silver Series, such as +48V phantom power, a phase invert switch, and low cut filtering; but also includes digital outputs in both AES/EBU, and S/PDIF formats.

The high impedance, 1/4" instrument input located on the front panel, as well as the mic/line switch, and 20 dB pad show our dedication to providing convenience in the studio. The 12 segment LED meters provide a visual indication of analog or digital levels at a glance. The rear panel includes both mic and line inputs and outputs, word clock sync input and output, and digital outputs. Add selectable sampling rates of 44.1 kHz, 48 kHz, 88.2 kHz, or 96 kHz; selectable dithering and noise shaping; and separate analog and digital output controls to this already impressive list of features, and we think you’ll agree that the 386 lives up to the innovative dbx® standards.

• • Two channel tube microphone preamplifier

• • Selectable 96kHz, 88.2kHz, 48kHz, or 44.1kHz sampling rate

• • 24, 20, and 16-bit wordlengths

• • Selectable dither and noise shaping

• • AES/EBU and S/PDIF digital outputs

• • Word clock sync input and output

• • Separate analog and digital output control

• • Type IV™ conversion system

• • 60dB of gain and +/- 15dB of output gain

• • Selectable mic/line switch

• • 48 volt phantom power

• • 20dB pad

• • 75Hz low cut filter

• • Phase reverse

• • Segment LED analog/digital

 $599.95

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Graphic Equalizers

iEQ15 Dual 15-Band Graphic Equalizer

With an EQ heritage that has produced countless industry standard patents and dates back more than 30 years, the dbx iEQ-15 easily lives up to the dbx legacy of uncompromised sonic integrity. In addition to unsurpassed equalization specs, the iEQ-15 also offers the built-in necessities which include AFS™ feedback Suppression, Type V™ noise reduction and PeakStopPlus® limiting. Besides including two 15-band channels of 2/3-octave equalization, the iEQ-15 also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs, nonconductive nylon sliders; and an intuitive user interface with comprehensive output and gain reduction metering. As always, the inevitable result of our meticulous attention to detail and top-quality componentry is exceptional sound, performance, and reliability.

The iEQ series represents a major step forward in the performance of EQs. The iEQ series is now able to offer state-of-the-art digital EQ performance and specs with an analog look and feel. From its amazing 10Hz to 22kHz frequency response, to its 113dB dynamic range and Advanced Feedback Suppression (AFS™), dbx proprietary Type V™ noise reduction and PeakStopPlus® limiting, the iEQ-15 offers out of this world specifications with a downto- earth price point. Sure to find a home in the studio, on tour and with installed sound venues, the iEQ-15 is destined to take its rightful place in the lineage of great dbx® signal processors that are the professional’s choice in signal processing. With such pristine design and quality, the iEQ-15 offers the maximum sonic flexibility in a straight forward interface and rock-solid construction.

• • Advanced Feedback Suppression (AFS™)

• • Type V™ Noise Reduction

• • PeakStopPlus™ Limiting

• • 2/3-octave Constant Q frequency bands

• • Switchable boost/cut ranges of ±6 or ±15dB

• • 18 dB per octave 40Hz low-cut filter

• • ±12dB input gain range

• • XLR, TRS and Euroblock Inputs and Outputs

• • Internal Toroidal Transformer

• • Frequency Response of 10Hz to 22kHz

• • Dynamic range of greater than 113dB

• • User Power Up Features

• • Relay Bypass for Power Failure System Protection

 $749.95

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iEQ31 Dual 31-Band Graphic Equalizer

With an EQ heritage that has produced countless industry-standard patents and dates back more than 30 years, the dbx iEQ-31 easily lives up to the dbx® legacy of uncompromised sonic integrity. In addition to unsurpassed equalization specs, the iEQ-31 also offers the built-in necessities which include AFS™ feedback Suppression, Type V™ noise reduction and PeakStopPlus® limiting. Besides including two 31-band channels of 1/3-octave equalization, the iEQ-31 also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs, nonconductive nylon sliders; and an intuitive user interface with comprehensive output and gain reduction metering. As always, the inevitable result of our meticulous attention to detail and top-quality componentry is exceptional sound, performance, and reliability.

• • Advanced Feedback Suppression (AFS™)

• • Type V™ Noise Reduction

• • PeakStopPlus™ Limiting

• • 1/3-octave Constant Q frequency bands

• • Switchable boost/cut ranges of ±6 or ±15dB

• • 18 dB per octave 40Hz low-cut filter

• • ±12dB input gain range

• • XLR, TRS and Euroblock Inputs and Outputs

• • Internal Toroidal Transformer

• • Dyanmic range of greater than 113dB

• • User Power Up Features

• • Relay Bypass for Power Failure System Protection

 $899.95

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2031 Single 31 Band Graphic EQ

It's amazing. One little button. So much effect. dbx® Type III® Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.

But hey, Roger wasn't about to stop there. PeakPlus® Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.

20 Series EQs. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III Noise Reduction. Check out the dbx 20 Series graphic EQs at your pro audio outfitter. You'll see, with the 20 Series EQs you get MORE!!!

• • Revolutionary instant encode/decode Type III® Noise Reduction in-circuit at the push of a button. Increases S/N ratio by up to 20dB

• • Patent-pending PeakPlus® Limiter threshold range from 0dBu to +24dBu (off) can transparently tame the wildest hits or the subtlest nuances of any signal

• • An extremely high quality EQ, patent-pending Type III Noise Reduciton, and the elegant new PeakPlus Limiter all in one great sounding box

• • Four segment LED bargraph for BOTH Gain Reduction AND Output Level offers the most comprehensive visual feedback available

• •Status LEDs offer visual feedback for all settings on the front panel

 $599.95

Call or email for best price.

2215 Dual 15 Band Graphic EQ

It's amazing. One little button. So much effect. dbx® Type III® Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.

But hey, Roger wasn't about to stop there. PeakPlus™ Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.

• • Revolutionary instant encode/decode Type III® Noise Reduction in-circuit at the push of a button. Increases S/N ratio by up to 20dB

• • Patent-pending PeakPlus™ Limiter threshold range from 0dBu to +24dBu (off) can transparently tame the wildest hits or the subtlest nuances of any signal

• • An extremely high quality EQ, patent-pending Type III® Noise Reduciton, and the elegant new PeakPlus™ Limiter all in one great sounding box

• • Four segment LED bargraph for BOTH Gain Reduction AND Output Level offers the most comprehensive visual feedback available

• •Status LEDs offer visual feedback for all settings on the front panel

 $599.95

Call or email for best price.

2231 Dual 31 Band Graphic EQ

It's amazing. One little button. So much effect. dbx® Type III® Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.

But hey, Roger wasn't about to stop there. PeakPlus™ Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.

• • Revolutionary instant encode/decode Type III® Noise Reduction in-circuit at the push of a button. Increases S/N ratio by up to 20dB

• • Patent-pending PeakPlus™ Limiter threshold range from 0dBu to +24dBu (off) can transparently tame the wildest hits or the subtlest nuances of any signal

• • Four segment LED bargraph for BOTH Gain Reduction AND Output Level

• •Status LEDs offer visual feedback for all settings on the front panel

 $749.95

Call or email for best price.

1215 Dual 15 Band Graphic EQ 

• • Switchable boost/cut ranges of ±6 or ±15 dB

• • Electronically balanced/unbalanced inputs

• • Servo balanced/unbalanced inputs

• • RF filtered inputs and outputs

• • XLR, Barrier Strip, and 1/4" TRS connectors

• • -12dB/+12dB input gain range

• • 18dB/octave 40Hz Bessel low-cut filter

• • Chassis/signal ground lift capability

• • Internal power supply transformer

• • Power-off hardwire relay bypass with 2-second power-up delay

 $379.95

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1231 Dual 31 Band Graphic EQ 

The dbx® 12 Series were designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The 1231 provides standard features like dual-channels, 31 1/3 octave bands, ISO frequency centers, +/- 12 dB input gain range, and switchable 40Hz/18 dB per octave low-cut filters, but also includes other insightful features. These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation. The visionary design of the dbx 12 Series makes your job easier.

• • Switchable boost/cut ranges of ±6 or ±15 dB

• • Electronically balanced/unbalanced inputs

• • Servo balanced/unbalanced outputs

• • RF filtered inputs and outputs

• • XLR, Barrier Strip, and 1/4" TRS connectors

• • -12dB/+12dB input gain range

• • 18dB/octave 40Hz Bessel low-cut filter

• • Chassis/signal ground lift capability

• • Internal power supply transformer

• • Power-off hardwire relay bypass with 2-second power-up delay

 $519.95

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131 Single 31 Band Graphic EQ 

The dbx® 2-Series Graphic Equalizer series have been designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The 131 not only offers standard features like single-channel, 31, 1/3 octave bands, ISO frequency centers, +/- 12 dB input gain range, and switchable 50Hz/12 dB per octave low-cut filter, but also includes other insightful features. These features include 20 mm faders; selectable +/-6dB or +/-12dB boost/cut range for precise gain adjustments; XLR, and 1/4'' TRS connectors for installation ease; balanced inputs and outputs for quiet operation. The visionary design of the dbx 2-Series makes your job easier.

The 2-Series represents a major step forward in the performance of entry-level graphic equalizers. From its amazing 10Hz to 50kHz frequency response, to its 108dB dynamic range, internal torodial transformer, the 2-Series offers out of this world specifications with a down to earth price point. Sure to find a home in the studio, on tour and with installed sound venues, the 2-Series is destined to take its rightful place in the lineage of great dbx® signal processors that are the professional's choice in signal processing. With such affordable quality there's no longer any excuse for compromising your sound.

• • Single 31-band, 1/3-octave Constant Q frequency bands

• • Switchable boost/cut ranges of ±6 or ±12 dB

• • 12dB per octave, 3dB down @ 50Hz low-cut filter

• • Front panel bypass switch

• • Classic dbx® compression

• • ±12 dB input gain range

• • 4-segment LED ladders for monitoring output levels

• • XLR and TRS Inputs and Outputs

• • Internal Toroidal Transformer

• • Frequency Repsonse of <10Hz to >50kHz

• • Dynamic range of greater than 108dB

 $209.95

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215 Dual 15 Band Graphic EQ 

The dbx® 2-Series Graphic Equalizers have been designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straight forward controls. The 215 not only provides standard features like dual channels, 15 2/3 octave bands, ISO frequency meters, +/- 12dB input gain range, and switchable 50Hz/12dB octave low-cut filters, but also includes other thoughtful features. These features include: 20 mm faders; selectable +/-6dB or +/-12dB boost/cut range for precise gain adjustments; XLR, and 1/4" TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation. The visionary design of the dbx® 2-Series has been pursued to make your job easier.

The 2-Series represents a major step forward in the performance of entry-level graphic equalizers. From its amazing 10Hz to 50kHz frequency response, to its 108dB dynamic range, internal toroidal transformer, the 2-Series offers out of this world specifications wit a own to earth price point. Sure to find a home in the studio, on tour and with installed sound venues, the 2-Series is destined to take its rightful place in tHe lineage of great dbx® signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound.

• • Two 15-band, 2/3-octave Constant Q frequency bands

• • Switchable boost/cut ranges of ±6 or ±12 dB

• • 12dB per octave, 3dB down @ 50Hz low-cut filter

• • Front panel bypass switch

• • ±12 dB input gain range

• • 4-segment LED ladders for monitoring output levels

• • XLR and TRS Inpts and Outputs

• • Internal Toroidal Transformer

• • Frequency Repsonse of <10Hz to >50kHx

• • Dynamic range of greater than 108dB

 $209.95

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231 Dual 31 Band Graphic EQ

With a lineage extending back to the revered 12 and 20 Series graphic equalizers, the dbx® 231 easily lives up to the dbx reputation at a price point which can find a home in the tightest of budgets. Besides including two 31-band channels of 1/3-octave equalization, the 231 also offers ±6 or ±12 dB boost/cut range; XLR, 20mm faders and 1/4" inputs; nonconductive nylon sliders; and an intuitive user interface with comprehensive output and gain reduction metering. As always, the inevitable result of our meticulous attention to detail and top-quailty componentry is exceptional sound, performance, and reliability.

The 2-Series represents a major step forward in the performance of entry-level graphic equalizers. From its amazing 10Hz to 50kHz frequency response, to its 108dB dynamic range and internal toroidal transformer, the 2-Series offers out of this world specifications with a down to earth price point. Sure to find a home in the studio, on tour and with installed sound venues, the 2-Series is destined to take its rightful place in the lineage of great dbx® signal processors that are the Professional's Choice™. With such affordable quality, there's no longer any excuse for compromising your sound.

• • Two 31-band, 1/3-octave Constant Q frequency bands

• • Switchable boost/cut ranges of ±6 or ±12 dB

• • 12dB per octave 40Hz low-cut filter

• • Front panel bypass switch

• • ±12 dB input gain range

• • 4-segment LED ladders for monitoring output levels

• • XLR and TRS Inpts and Outputs

• • Internal Toroidal Transformer

• • Frequency Repsonse of <10Hz to >50kHx

• • Dynamic range of greater than 108dB

 $279.95

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Purple Series

162SL Stereo Compressor 

The same familiar striking front panel, machined from 1/4" aircraft aluminum, handcrafted solid aluminum knobs, LEDs mounted individually in machined stainless steel housings, custom VU meters with peak indicators, and heavy gauge chassis mark the 162SL as a leader for decades to come. The 162SL combines the best features of all the great dbx compressors, past and present, and gives you more versatile performance than ever before. In addition to having the auto attack and release as well as the hard knee threshold characteristics of the classic dbx 160, the 162SL offers AutoVelocity™ manual mode, in addition to our classic dbx OverEasy® mode, made standard by the legendary dbx 165A. And speaking of the 165A, all of its features, including variable attack and release controls, as well as dbx’s latest limiting algorithm PeakStopPlus™, are included in the 162SL.

The heart of any dynamics processor is its VCA. The dbx 162SL is no different. It features dual proprietary dbx VCA modules. This state-of-the-art implementation of dbx’s original Blackmer decilinear VCA boasts an unheard of dynamic range and ultra-low distortion seen only previously in the Blue 160SLs. With sonic clarity designed for the studio, the 162SL maintains its superior performance in harsh environments, pure enough for the studio, rugged enough for the road was the engineering motto of the Purple Series of Compressors / Limiters. Like it's big brother the 162SL, it takes full advantage of the best parts available and dbx's advanced manufacturing, including Jensen® transformers on each output standard. Following in the footsteps of the Blue Series 160SL, with the Purple Series 162SL, dbx continues to create to the most technologically advanced compressors in the world.

• •Super fast manual attack and release

• •High-Drive Jensen® output transformers

• •Hard-knee/OverEasy® switchable

• •Ultra-low distortion compression for unheard of clarity even under extreme gain reduction

• •Program-dependent "Auto," Patent-pending AutoVelocity™ Manual, or fully variable attack and release modes

162SL Stereo Compressor 

 $2,499.95

162SL Stereo Compressor 

 $1,999.95

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Blue Series

160SL Stereo Compressor   

Since its inception the 160S has become the mark for which other compressors reach. As the leader in VCA and compressor design and engineering, we at dbx are always seeking to improve our products and give you the best possible compression solutions. With the newly improved 160SL, we introduce the patent-pending AutoVelocity technology. With AutoVelocity it is now easier than ever to dial up the exact attack and release effect you are looking for, via the program-dependent, or non program dependent manual mode. Still on board is the venerable dbx Auto mode. Now you can set your maximum preferred settings in manual mode, and let the 160SL do the rest for you, depending on your program material.
The same striking blue front panel machined from 1/4" aircraft aluminum, handcrafted solid aluminum knobs, LEDs mounted individually in machined stainless steel housings, custom VU meters with peak indicators, and heavy gauge chassis still mark the 160SL as the leader for decades to come. The 160SL combines the best features of all the great dbx compressors, past and present, and gives you more versatile performance than ever before. In addition to having the auto attack and release as well as the hard knee threshold characteristics of the classic dbx 160, the 160SL now offers AutoVelocity manual mode, in addition to our classic OverEasy® mode, made standard by the classic dbx 165A. And speaking of the 165A, all of its features, including variable attack and release controls, as well as dbx's latest limiting algorithm PeakStopPlus, are included in the 160SL.
The heart of any dynamics processor is its VCA. The dbx 160SL is no different. It features dual proprietary V8 VCA modules. This state-of-the-art implementation of dbx's original Blackmer decilinear VCA boasts an unheard-of 127dB dynamic range and ultra-low distortion. Encased in a specially designed aluminum-zinc housing for shielding and thermal characteristics, the V8 maintains its superior performance in harsh environments. The new 160S takes full advantage of the most technologically superior components available today. Premium active electronics, precision 0.1% and 1% metal film resistors, great sounding temperature stable polypropylene capacitors, high-reliability board-to-board connectors with gold-palladium-nickel contacts, Jensen® transformers, gold plated Neutrik® XLRs, rare earth magnet relays with gold contacts in a hermetically sealed nitrogen environment, military grade glass epoxy circuit boards, to mention a few, contribute to the most technologically advanced compressor in the world.

• •Patent-pending AutoVelocity™
  circuit

• •127dB of Dynamic Range

• •High-Drive output transformer
  circuit drives 1000 ft. of Belden® cable at +30dBu with only .007% THD

• •Switchable between Hard-knee and OverEasy® Compression

• •Program-dependent "Auto,"
  AutoVelocity™ or fully variable attack ad release manual modes

 $4,689.95

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786 Precision Mic PreAmp

The craftsmanship of the 786 is as stunning as the engineering is innovative. A striking blue front panel machined from 1/4" aircraft aluminum, hand-crafted solid aluminum knobs, LEDs mounted individually in machined stainless steel housings, custom VU meters with peak indicators, and heavy gauge chassis solidify the 786 as the benchmark preamplifier for decades to come. The 786 combines the best preamplifier features and an absolutely pristine audio path. In addition to having +48V phantom power as well as a phase reverse switch, the 786 also features a patent-pending EQ circuit called "spectrum" with frequency cut and boost up to 40kHz. An 11-position coarse gain switch sets the gain between +10 and +60 dB, while the fine gain control varies between -3 and +3 dB. Levels may be monitored on peak-program VU meters with adjustable reference levels. The signal path consists of a transformer-coupled, discrete-design premium input stage utilizing the proprietary dbx M8 Mic Pre-Amp Module.
"Spectrum", a unique variable high-frequency equalization circuit employed in the mic pre-amp enhances the high frequency spectral content of the signal while maintaining phase integrity. The "Detail" control varies the amount of high frequency shelving boost at the frequency determined by the Spectrum control. The combination of the Spectrum and Detail controls allow pristine high frequency equalization adjustments without the added "hash" of traditional high-frequency EQ topologies. Premium active electronics, precision 0.1% and 1% metal film resistors, great sounding temperature stable polypropylene capacitors, high-reliability board-to-board connectors with gold-palladium-nickel contacts, Jensen® transformers, gold plated Neutrik® XLRs, rare earth magnet relays with gold contacts in a hermetically sealed nitrogen environment, military grade glass epoxy circuit boards, to mention a few, contribute to the most technologically advanced preamplifier in the world.
786 Features/Specifications
The dbx Blue Series Solid State Mic Pre-Amp is a 2U two-channel precision mic pre companion product to the 160S Stereo Compressor/Limiter. We refer to this as a "precision mic pre-amp" as it is designed to provide the truest reproduction of the microphone source as is electronically possible, as opposed to "FX" mic pre-amps. The pre-amp features the ubiquitous +48V phantom power, 20 dB pad, and phase invert functions, but also includes a switchable "super low Z" setting which optimizes the pre-amp performance for microphones with very low source impedance. An 11-position coarse gain switch sets the gain between +10 and +60 dB, while the fine gain control varies between -3 and +3 dB. Levels may be monitored on peak-program VU meters with adjustable reference levels.
The signal path consists of a transformer-coupled, discrete-design premium input stage utilizing the proprietary dbx M8' Mic Pre-Amp Module. The minimum signal path design routes the amplified signal directly to a patented high output drive circuit. Each stage throughout the mic pre-amp is small-signal square wave compensated to assure precise phase alignment at all audio frequencies.
Two output options will be available for the mic pre; an analog card that parallels one extra high drive output per channel acting as a premium signal splitter, and a dbx Type IV Conversion System' card that provides proprietary analog-to-digital conversion for both channels with both AES/EBU and S/PDIF outputs.
The dbx Blue Series Solid State Mic Pre has patented high-precision, high-drive, transformer-coupled output stages capable of performing with incredible accuracy and sonic transparency in virtually any audio environment. The custom designed transformer, coupled with a discrete distortion canceling driver circuit, is capable of driving 1000 feet of Belden 8451 cable terminated with a 150 ohm load, while maximum drive levels exceed +30 dBm. Yet this output stage exhibits remarkably low distortion levels, immeasurable using standard audio test equipment.

• • 130dB of Dyanmic Range

• • High-Drive output transformer circuit drives 1000 ft. of Belden® cable at +30dBu with only .007% THD

• • +48V Phantom Power, Phase Reverse, -20dB Input Pad

• • Super Low-Z input switch for low impedance mircrophones or altering the microphone's sonic character

• • Proprietary High Frequency EQ circuit with cut/boost to 40kHz

 $4,689.95

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 $6,029.95

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704X 96kHz/ 24bit Digital Output Card for Blue Series   

The 704X uses the patent-pending TYPE IV™ Conversion System to convert your analog signals to digital in a way that preserves the analog warmth, yet gives the clarity and precision offered by the digital domain.

Think about it, the warmth and smoothness of your analog signal, coupled with a digital system that offers the best performance in headroom management through custom dither algorithms and noise floor shaping. It really is the best of both worlds, and you owe it to yourself to hear how it sounds.

• •Sample rates: 44.1kHz, 48kHz, 88.2kHz, or 96kHz

• • Dither outputs to 16, 20, or 24 bits using TPDF or SNR2 algorithms

• • 48 bit internal signal path

• • TYPE IV® A/D Conversion System

• • Sync input/output

• • 2 user-selectable noise shape algorithms

• • Gold-plated Neutrik® AES/EBU and S/PDIF connectors

• • For use with dbx 160S, 160SL or 786

 $1,339.95

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Quantum II Digital Multi Band Processor   

The dbx Quantum II is the first studio mastering tool that offers sampling rates up to 96kHz, with a true 48-bit digital signal path, and the superior dbx dynamics processing that has been making the hits for 30 years. Insert the Quantum II into the master outputs of any console or workstation and turn out a professional master every time. The patented dbx dynamics processing is now available in a 4-band multiband system. The 4-way crossover splits the signal into 4-bands, and each band may be individually gated, compressed, and limited. The patented dbx TYPE IV™ Conversion System allows you to retain the warmth and body of the signal, while adding punch and depth. In addition, the intuitive user interface puts all the mastering processes you need right at your fingertips. The Quantum II's intuitive operating system allows you easy access to the strongest mastering toolbox ever produced. A quick surf through the menu driven system gives you a glimpse of the packed feature set. Use the 4 band crossover with independent slope selection to split the incoming signal into 4 bands that are then each controlled separately for individual gating, compression, and limiting. The 5-band parametric EQ offers unprecedented control, with variable Q, adaptable or constant Q, and Lo and High shelving features, making the Quantum II the most versatile and useful tool to use for any mastering application. The Quantum II also comes with the patented TYPE IV™ Conversion System. The TYPE IV™ conversion system transfers the character of any analog signal to the digital domain in a way that defies description. With the help of TSE™ Tape Saturation Emulation, the Quantum II retains the original warmth of analog recording, while giving it the clarity and versatility we need in today's digital world of music production and mastering. You can also dither your signal down to 24, 20, or 16 bits, using our custom dither algorithms. For more versatility use full MIDI/SysEx control, and internal/external sync capability. In addition, software upgrades can be downloaded from the dbx website and installed through the MIDI ports. In addition to these uncomprimising features, the Qauntum II also offers GUI control and software downloads.

Features:
 

• • 96kHz, 24 bit A/D, D/A, and Digital I/O on AES/EBU or S/PDIF

• • 48 bit internal signal path

• • Patented TYPE IV® A/D Conversion System with TSE™

• • 4-band stereo compressor-gate-limiter

• • 5 band EQ - Hi and Lo shelves, 3-band fully-parametric and MS EQ

• • Normalizer

• • Stereo adjust

• • Sync input/output

• • Selectable Output dither from 8, 16, 20, to 24 bits

• • Sample rate conversion - full Up/Down

 $3,079.95

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DriveRack 400 Series

480 DriveRack   

At the heart of the DriveRack® system is the 480. The 480 includes 4 inputs and 8 outputs which can be tailored for any configuration. By including every form of processing necessary to drive the signal from the mixer to the power amps, such as pre-crossover EQ, notch filters, speaker delay, multiple crossovers, speaker compensation equalizer, driver alignment delay, and compression/limiting, the 480 is truly the only box you’ll need for any sound system application. Two real time analyzers can be run simultaneously with RTA source inputs capable of being remotely switched on the fly. The 480 is fully programmable from the front panel, with the 480R remote control, or through a computer via the GUI port.

• • 4 Inputs and Outputs with routing
• • 31 band graphic or 9 band parametric equalizer on every input (pre-crossover)
• • Dual Real Time Audio Analyzers
• • Butterworth, Bessel or Linkwitz-Riley crossover filters
• • 27 Different Crossover Configurations
• • Time Alignment and Transducer Alignment Delays
• • Compressor/Limiter on every output
• • Speaker Compensation EQ (post crossover)
• • Multi-level Security System
• • Separate House and Show EQ with individual lockout
• • Triple redundant back up of all parameters when running network, 480R and PC GUI
• • TYPE IV™ Conversion System
• • Electronically balanced/RF filtered XLR Inputs and Outputs
• • Proprietary RS-485 Control Network
• • RS-232 PC Interface for computer display and configuration

 $3,399.95

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 $4,679.95

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481 DriveRack   

482 DriveRack

The 481 and 482 are slave units which include all of the functionality and features of the 480 . They both incorporate 4 inputs and 8 outputs with Euroblock connectors on the 481 and XLRs on the 482. However, they do not include the front panel programming interface. All programming functions can be performed through the 480, the 480R, or via the Windows GUI. An unlimited number of slaves can be chained together.
 

• • 4 Input and 8 Outputs with routing
• • 31 band graphic or 9 band parametric equalizer on every input (pre-crossover)
• • Dual Real Time Audio Analyzers
• • Butterworth, Bessel or Linkwitz-Riley crossover filters
• • 27 Different Crossover Configurations
• • Time Alignment and Transducer Alignment Delays
• • Compressor/Limiter on every output
• • Speaker Compensation • EQ (post crossover)
• • Multi-level Security System
• • Separate House and Show EQ with individual lockouts
• • Triple redundant back-up of all parameters when running network, 480R and PC GUI
• • TYPE IV™ Conversion System
• • Electronically balanced/RF filtered • Euroblock Inputs and Outputs
• • Proprietary RS-485 Control Network
• • RS-232 PC Interface for computer display and configuration

 $3,119.95

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 $3,249.95

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 $4,029.95

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480R DriveRack Remote Controller

The 480R is the master remote controller for the entire Drive Rack System. It is capable of controlling and programming multiple 480, 481, and 482 units. It features 31 flying faders which automatically recall the Graphic EQ settings of any unit on the network. The 480R can simultaneously control multiple Drive Racks, allowing global EQ adjustments to be made quickly. Thirty-two instant access buttons can be programmed to immediately recall the parameter screens that you use the most. The large custom display mirrors the display of the selected unit, and the 480R also includes its own real time analyzer. The 480R can be stationed up to 500 feet from the master 480 making it the perfect choice for front of house mixing.

• • Dedicated remote interface to control all 480, 481, and 482
• • DriveRack units
• 31 Motorized faders for equalization control
• • 32 Assignable hot-keys with up to 64 different assignment capabilities
• • Built-in Real ime Audio Analyzer (with rear-panel XLR connector)
• • System Mute button
• • Proprietary RS-485
• Control Network
• • RS-232 PC Interface for computer display and configuration
• • 480P Power Supply Included
• • Responds to MIDI commands from mixing consoles including: Soundcraft™ SM20 and Series 5, Allen & Heath™ ML5000, ML4000, and ML3000computer display and configuration

 $4,549.95

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480P Power Supply Unit   

Not only is the 480P the sole power source for the 480R Remote Controller, but it also acts as the direct interface for information communication between the 480R and the master controller in a proprietary DriveRack System network.

 $649.95

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442 DriveRack

442 DriveRack® Complete Equalization Management System. The DriveRack® 442 Complete Equalization Management System is the latest product in the DriveRack® line. The 442 is based on the same operating system as the DriveRack® 480 and offers the user four inputs and four outputs on XLR connectors. Each channel has EQ in the form of a 9-Band Parametric or a 31-Band Graphic and Notch Filters. In addition the 442 features a filter set that can be used to create a Highpass, Lowpass or Bandpass filter. Dynamics processing is available on all channels with a Compressor/Limiter that emulates the classic dbx® 160. The output section of the 442 offers delay, output level and phase compensation. The 442 is also capable of running dual real-time analyzers on channels three and four. A 480 master, a PC GUI, or a 480R remote can control the 442. Any combination of 480s, 481s, 482s and 442s can be controlled on a single DriveRack® network consisting of up to 100 units.

• • 4 Inputs and 4 Outputs
• • 31-band graphic or 9 band parametric equalizer on every input
• • Time Alignment Delay
• • Compressor/Limiter on every output
• • Multi-level Security System
• • Separate House and Show EQ with individual lockouts
• • Triple redundant back up of all parameters when running network, 480R and GUI
• • Type IV™ Conversion System
• • Electronically balanced/RF filtered XLR Inputs and Outputs
• • Proprietary RS-485 Control Network
• • RS-232 PC Interface for computer display and configuration

 $2,729.95

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480M Calibrated Measurement Microphone  
 

 $714.95

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120A Subharmonic Synthesizer   

Why just rock the house when you can rattle the foundation loose. The wildy popular beat of "House Music" is likely to be driven by the throbbing, low-end bass of dbx® Subharmonic Synthesizers in clubs around the world. For decades, the patented dbx Subharmonic Synthesis has been the secret weapon used by mobile DJ's and film and sound professionals to produce an impact unavailable from any other device unique because the dbx process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio. The dbx 120A Subharmonic Synthesizer with Modeled Waveform Synthesisô has been specially optimized by dbx engineers for the needs of audio professionals. Its two separate bands of bass synthesis provide the best combination of smoothness and control, and the independent Low Frequency Boost circuit is designed to get the most out of high-performance low frequency speaker systems.

Flexible system interfacing is achieved by providing both 1/4î and RCA input connectors, along with main outputs which can be full range (including synthesis) or high frequency only, along with a separate subwoofer output with its own level control.

The 120A's patented subharmonic synthesis process actually builds the synthesized waveform using the waveshape of the original bass material. Unlike other attempts at bass synthesis, the dbx process produces smooth, musical low frequencies that don't interfere with mid and high-band information, even when maximum synthesis and boost are applied. The result is a low-end punch that people really feel, even at system levels that won't destroy sound equipment or damage hearing.

• • Individual control for two ranges of subharmonic frequencies

• • Separate Low Frequency Boost Circuit

• • Separate Subwoofer Output

• • 1/4" Balanced inputs and outputs

• • RCA Input Connectors

• • Front panel LEDs that show crossover status and synthesis activity

• • Patented circuitry ensures that mid and high frequencies are not affected

• • Built-in crossover with choice of 80Hz or 120Hz crossover point

• • Enhance bass audio material for use in a veriety of professional applications such as:

• • Nightclub and dance mixing

• • DJ Mixing

• • Theater and Film Sound

• • Music Recording

• • Live Music Performance

• • Broadcasting

 $299.95

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IEM In-Ear Monitor Processor   

Finally! There is now a digital signal processor that has been designed specifically for in ear monitor applications. New from dbx Professional Products, comes the IEM, In-Ear-Monitor Processor which is the ideal tool for fine-tuning mix monitoring for In-Ear monitoring devices. Not only does the IEM provide the legendary dbx effects in the digital domain, such as 4-band stereo compression, PeakStop™ limiting and 5-band parametric EQ, but the IEM also includes stereo adjust, dbx proprietary Type IV™ conversion system, and for good measure, we have even raised the playing field by including custom reverb algorithms using the industry standard Lexicon® technology. The IEM from dbx Professional Products is a unit that is certain to take In-Ear Monitor processing to the next level.

From the company that has been redefining the standard of signal processing for more than 25 years, dbx® Professional Products now offers a bulletproof product that caters to the scrutinizing needs of performers who utilize In-Ear Monitorin devices.

The IEM was designed with the simple purpose and vision of enhancing the sonic quality of all In-Ear monitor applications, while providing the necessary audio level protection that artists and engineers require. The design team at dbx has achieved this vision by building a unit that offers effects including: 4-band stereo compressor with gating and limiting, 5-Band Parametric EQ, PeakStop™ limiting, Stereo adjust and Lexicon® reverbs. In addition to methodically designing a utilitarian unit that includes an intuitive user front panel which provides instant access to all effects within the IEM at the push of a button, as well as a large custom display which clearly shows all operational information of the unit in a logical manner.

• • Industry-Standard Lexicon Reverb Algorithms

• • 48-bit internal signal path for increased head room and low level resolution

• • Type IV™ A/D Conversion system with TSE

• • 4-band stereo compressor and limiter with classic dbx® compression

• • 5-band EQ - Hi and Lo shelves, 3-band fully parametric

• • PeakStop™ limiting

• • Stereo adjust - to control your stereo image

• • 4-band crossover with variable slopes

 $2,079.95

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* Prices subject to change without notice.

* Prices exclude shipping and accessories.

Bishop / Petty Lighting ~ 7300 Caribou, Suite 2 ~ San Antonio, TX 78238